Lolo Zouaï has created a frequently beautiful and satisfyingly three dimensional pop record and High Highs to Low Lows is an unexpected delight.
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Self Esteem’s Compliments Please is a positive indication that creative, labour-of-love alternatives to production line pop is still very much alive and well in 2019.
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Ladytron is one of Ladytron’s most essential records and one that builds on their surprisingly long tenure as one of the most influential electronic bands of the last 20 years.
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Don’t Feed the Pop Monster is Broods’ most classically pop album so far and also their best. If it isn’t a hit then don’t blame them and instead look take a harder look at the current state of pop culture as it continues to merrily eat itself.
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Not a top 10 as such, John Preston gives you the 10 films of 2018 you may have missed but should watch immediately.
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