Don’t Feed the Pop Monster is Broods’ most classically pop album so far and also their best. If it isn’t a hit then don’t blame them and instead look take a harder look at the current state of pop culture as it continues to merrily eat itself.
In New Breed, Dawn Richard has become the master of her idiosyncratic sound, a true one-off who creates what she loves.
Remind Me Tomorrow is Sharon Van Etten as she is right now with a new page turned and brilliantly, fearlessly looking forward.
Not a top 10 as such, John Preston gives you the 10 films of 2018 you may have missed but should watch immediately.
John Preston finishes his round-up of the best albums of the year.
John Preston has revisited the abundance of amazing music that was released over the last 12-months and picks what he considers to be the very best 10 albums of 2018.
LA native and singer-songwriter Miya Folick has taken her time to settle on and refine a sound in assured debut Premonitions.
Empress Of has quietly and unexpectedly released a joyous and thoughtful pop record.
There is no doubting that Honey is a very personal record from an artist that has gradually and notably refused to comprise.
With new album Chris, Christine and The Queens remain a genuinely exciting band.